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30 products

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    Face Bottlestopper

    Face Bottlestopper

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    A brass bottlestopper in unlacquered polished brass designed by Carl Auböck II circa 1950. The fourth-generation Viennese workshop of Carl Auböck combines traditional craftsmanship with a modern aesthetic. The enduring nature of Auböck designs like this Bottlestopper can be attributed to “simplicity and high quality—no fashionable tricks,” says Carl Auböck IV, who now oversees the workshop with his sister, Maria. “Such artefacts develop a soul over time, a certain patina.” [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Care" open="false" width="1/1" el_position="first last"]

    This unlacquered brass object will develop a patina over time. Polish by buffing with soft cloth. Brass polish may also be used; use a second clean, dry cloth to buff the brass to a shine. [/spb_toggle] [spb_toggle title="+ Technical information" open="false" width="1/1" el_position="first last"] Material: Polished brass Origin: Handmade in Austria Dimensions: 6.1 x D: 5.7cm - Weight: 175 g Imperfections such as small scratches and/or minor nicks on the surface of this item are evidence of the handmade production process and should not be considered defects. [/spb_toggle]  
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    Long Standing Bowl – Sage

    Long Standing Bowl – Sage

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    Place as a centerpiece on your favorite table or enjoy in the kitchen as a special fruit bowl. The die cast aluminum Standing Bowl is elevated off the table surface by its architecturally inspired planar legs. Each bowl is matte powder coated with a slight texture to catch the light and add an enjoyable feel. [spb_toggle title="+ Orders & Shipping" open="false" width="1/1" el_position="first last"] Goods will be ready to ship within 3 days after payment in full. [/spb_toggle] [spb_toggle title="+ Care" open="false" width="1/1" el_position="first last"] Wash vessels by hand with dish soap and let drip dry. [/spb_toggle][spb_toggle title="+ Details" open="false" width="1/1" el_position="first last"] Powder coated aluminium Size: 38 x 15 x 10 cm [/spb_toggle]

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    Small Round Standing Bowl – Sage

    Small Round Standing Bowl – Sage

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    The little sibling to the Long Standing Bowl with just as much character. Perfect as a unique serving dish or in the entryway as a sculptural catchall. This die cast aluminum bowl its elevated off the table surface by its architecturally inspired planar legs. Each bowl is matte powder coated with a slight texture to catch the light and add an enjoyable feel. [spb_toggle title="+ Orders & Shipping" open="false" width="1/1" el_position="first last"] Goods will be ready to ship within 3 days after payment in full. [/spb_toggle] [spb_toggle title="+ Care" open="false" width="1/1" el_position="first last"] Wash vessels by hand with dish soap and let drip dry. [/spb_toggle][spb_toggle title="+ Details" open="false" width="1/1" el_position="first last"] Powder coated aluminium Size: 13 x 13 x 10 cm [/spb_toggle]  

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    Small Round Standing Bowl – Sienna

    Small Round Standing Bowl – Sienna

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    The little sibling to the Long Standing Bowl with just as much character. Perfect as a unique serving dish or in the entryway as a sculptural catchall. This die cast aluminum bowl its elevated off the table surface by its architecturally inspired planar legs. Each bowl is matte powder coated with a slight texture to catch the light and add an enjoyable feel. [spb_toggle title="+ Orders & Shipping" open="false" width="1/1" el_position="first last"] Goods will be ready to ship within 3 days after payment in full. [/spb_toggle] [spb_toggle title="+ Care" open="false" width="1/1" el_position="first last"] Wash vessels by hand with dish soap and let drip dry. [/spb_toggle][spb_toggle title="+ Details" open="false" width="1/1" el_position="first last"] Powder coated aluminium Size: 13 x 13 x 10 cm [/spb_toggle]  

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    Sphere Large

    Sphere Large

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    Sphere by Kaspar Hamacher Taking nature as his basis, Kaspar Hamacher is focused resolutely on physical rather than conceptual design. As he says himself, he feels more craftsman than designer. The things he can do with wood appeal to the imagination: whether it is a tree stump or a piece of leather, the key is authenticity in every step of his design process. Hamacher’s working method always results in a unique, personal piece. A piece of design with a deeper meaning; with a soul..

    *This item is not available for purchase online. Please contact us for further inquiries or orders.

    [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Production & Shipping" open="false" width="1/1" el_position="first last"] Shipment after payment in full. Due to the hand-made and made to order nature of this product, we are not able to accept exchanges or returns. Please allow a standard lead time of 10-12 weeks for custom orders. Production will only start after all order details have been confirmed and deposit received. [/spb_toggle] [spb_toggle title="+ Orders" open="false" width="1/1" el_position="first last"] Custom orders require a 50% non-refundable deposit for production to start. Goods will be ready to ship within the lead times specified with receipt of payment in full. [/spb_toggle] [spb_toggle title="+ Technical Information" open="false" width="1/1" el_position="first last"] Materials: Burnt oak Dimensions: D: 80cm [/spb_toggle]  
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    Sphere Small

    Sphere Small

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    Sphere by Kaspar Hamacher Taking nature as his basis, Kaspar Hamacher is focused resolutely on physical rather than conceptual design. As he says himself, he feels more craftsman than designer. The things he can do with wood appeal to the imagination: whether it is a tree stump or a piece of leather, the key is authenticity in every step of his design process. Hamacher’s working method always results in a unique, personal piece. A piece of design with a deeper meaning; with a soul..

    *This item is not available for purchase online. Please contact us for further inquiries or orders.

    [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Production & Shipping" open="false" width="1/1" el_position="first last"] Shipment after payment in full. Due to the hand-made and made to order nature of this product, we are not able to accept exchanges or returns. Please allow a standard lead time of 10-12 weeks for custom orders. Production will only start after all order details have been confirmed and deposit received. [/spb_toggle] [spb_toggle title="+ Orders" open="false" width="1/1" el_position="first last"] Custom orders require a 50% non-refundable deposit for production to start. Goods will be ready to ship within the lead times specified with receipt of payment in full. [/spb_toggle] [spb_toggle title="+ Technical Information" open="false" width="1/1" el_position="first last"] Materials: Burnt oak Dimensions: D: 50cm [/spb_toggle]  
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    Yaa Container – Short

    Yaa Container – Short

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    At once rooted in tradition and embracing of new design languages, Studio Anansi explores the beauty of blackness through collectible objects that deftly harmonize simplistic form and complex tactility. Meeting at the intersection of art and design, each piece is made from wood – chosen for its tactile and yielding nature – and revisits traditional craft in a thoroughly modern way. After being hand-turned, the sculpted objects undergo a specialized burning process that results in an appearance that manages to be both fluid and static, and one that intentionally conveys the struggles, events, love, loss, pain, suffering and – above all – beauty that the black body endures.

    Please contact us for further inquiries.

    [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Production & Shipping" open="false" width="1/1" el_position="first last"] All pieces are made by hand in USA. Shipping after recipient of payment in full. In case we`re out of stock, please take into account a lead time of 6-8 weeks. [/spb_toggle] [spb_toggle title="+ Technical Information" open="false" width="1/1" el_position="first last"] Measurements: H: 20cm x D: 11cm Material: African Wenge, natural pigmentations and oiled finish Origin: USA Due to the characters of Evan`s works, you may need to expect some variations from finished products. [/spb_toggle]  
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    Ashtray “Crown”

    Ashtray “Crown”

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    An ashtray in unlacquered polished brass designed by Carl Auböck II circa 1950. The crown is now being cast, using the same sculptured wooden positive mould, in the same workshop by Carl Auböck IV. The fourth-generation Viennese workshop of Carl Auböck combines traditional craftsmanship with a modern aesthetic. The enduring nature of Auböck designs like this Crown Ashtray can be attributed to “simplicity and high quality—no fashionable tricks,” says Carl Auböck IV, who now oversees the workshop with his sister, Maria. “Such artefacts develop a soul over time, a certain patina.” [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Care" open="false" width="1/1" el_position="first last"]

    This unlacquered brass object will develop a patina over time. Polish by buffing with soft cloth. Brass polish may also be used; use a second clean, dry cloth to buff the brass to a shine. [/spb_toggle] [spb_toggle title="+ Technical information" open="false" width="1/1" el_position="first last"] Material: Polished brass Origin: Handmade in Austria Dimensions: 6x4 cm Imperfections such as small scratches and/or minor nicks on the surface of this item are evidence of the handmade production process and should not be considered defects. [/spb_toggle]  
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    Bonnie & Clyde – Blackened Brass

    Bonnie & Clyde – Blackened Brass

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    Designed & made by Corinne van Havre Interior label ‘LaLouL’ was launched in 2013 by Antwerp-based designer Corinne van Havre. All products of LaLouL are handmade in collaboration with skilled European craftsmen.

    Please contact us for further inquiries.

    [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Production & Shipping" open="false" width="1/1" el_position="first last"] All pieces are made by hand in Belgium. Shipping after recipient of payment in full. [/spb_toggle] [spb_toggle title="+ Care" open="false" width="1/1" el_position="first last"] It will arrive with a bright finish but will oxidise and darken over time to reveal a distinctive patina. Simply use a metal polish to restore a like-new finish. [/spb_toggle] [spb_toggle title="+ Technical Information" open="false" width="1/1" el_position="first last"] Material: Brass & copper Dimensions: 18x3cm *This item must be treated delicately [/spb_toggle]  
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    Bud Vase #1

    Bud Vase #1

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    Bud dried flower vase. Walk In The Park is formed by creative couple Sam and Jiho, who make unique wood-turned objects from their Titirangi studio. Sam`s creative background comes from experience in wood-work and furniture design which he practised in Korea. Walk In The Park is a practice-led exploration into functional and sculptural objects, each work a homage to the variations of wood available in New Zealand. This tactile devotion extends into Sam`s desire to create products that are both beautiful and functional, blending the organic with the domestic.

    Please contact us for further inquiries.

    [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Production & Shipping" open="false" width="1/1" el_position="first last"] All pieces are made by hand in New Zealand. Shipping after recipient of payment in full. [/spb_toggle] [spb_toggle title="+ Technical Information" open="false" width="1/1" el_position="first last"] Measurements: H: 10cm x D: 9cm Material: Walnut Origin: New Zealand Due to the characters of Sam`s works, you may need to expect some variations and imperfections from finished products. Sam is not using the timbers that are milled and kiln dried in large sawmills. All the woods are sourced from local small sawmills or arborists, who produce small volume but diverse timbers. All the timbers from there are air-dried and the conditions are various. You might need to expect some imperfect characters such as knots, bark, uneven edges, cracks and some bug holes from my finished works. However, Sam is not using some poor quality materials if they will bothering and devaluing the works. Therefore, we believe that all the works are acceptable for sale. [/spb_toggle]  
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    Bud Vase #2

    Bud Vase #2

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    Bud dried flower vase. Walk In The Park is formed by creative couple Sam and Jiho, who make unique wood-turned objects from their Titirangi studio. Sam`s creative background comes from experience in wood-work and furniture design which he practised in Korea. Walk In The Park is a practice-led exploration into functional and sculptural objects, each work a homage to the variations of wood available in New Zealand. This tactile devotion extends into Sam`s desire to create products that are both beautiful and functional, blending the organic with the domestic.

    Please contact us for further inquiries.

    [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Production & Shipping" open="false" width="1/1" el_position="first last"] All pieces are made by hand in New Zealand. Shipping after recipient of payment in full. [/spb_toggle] [spb_toggle title="+ Technical Information" open="false" width="1/1" el_position="first last"] Measurements: H: 13cm x D: 11cm Material: Walnut Origin: New Zealand Due to the characters of Sam`s works, you may need to expect some variations and imperfections from finished products. Sam is not using the timbers that are milled and kiln dried in large sawmills. All the woods are sourced from local small sawmills or arborists, who produce small volume but diverse timbers. All the timbers from there are air-dried and the conditions are various. You might need to expect some imperfect characters such as knots, bark, uneven edges, cracks and some bug holes from my finished works. However, Sam is not using some poor quality materials if they will bothering and devaluing the works. Therefore, we believe that all the works are acceptable for sale. [/spb_toggle]  
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    Bud Vase #4

    Bud Vase #4

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    Bud dried flower vase. Walk In The Park is formed by creative couple Sam and Jiho, who make unique wood-turned objects from their Titirangi studio. Sam`s creative background comes from experience in wood-work and furniture design which he practised in Korea. Walk In The Park is a practice-led exploration into functional and sculptural objects, each work a homage to the variations of wood available in New Zealand. This tactile devotion extends into Sam`s desire to create products that are both beautiful and functional, blending the organic with the domestic.

    Please contact us for further inquiries.

    [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Production & Shipping" open="false" width="1/1" el_position="first last"] All pieces are made by hand in New Zealand. Shipping after recipient of payment in full. [/spb_toggle] [spb_toggle title="+ Technical Information" open="false" width="1/1" el_position="first last"] Measurements: H: 12cm x D: 7cm Material: Kauri Wood (Head part of tree) Origin: New Zealand Due to the characters of Sam`s works, you may need to expect some variations and imperfections from finished products. Sam is not using the timbers that are milled and kiln dried in large sawmills. All the woods are sourced from local small sawmills or arborists, who produce small volume but diverse timbers. All the timbers from there are air-dried and the conditions are various. You might need to expect some imperfect characters such as knots, bark, uneven edges, cracks and some bug holes from my finished works. However, Sam is not using some poor quality materials if they will bothering and devaluing the works. Therefore, we believe that all the works are acceptable for sale. [/spb_toggle]  
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    Chain Nickel Plated

    Chain Nickel Plated

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    A Chain in iron nickel plated designed by Carl Auböck II circa 1950. The hand is now being cast, using the same sculptured wooden positive mould, in the same workshop by Carl Auböck IV. The fourth-generation Viennese workshop of Carl Auböck combines traditional craftsmanship with a modern aesthetic. The enduring nature of Auböck designs like this Paperweight Chain can be attributed to “simplicity and high quality—no fashionable tricks,” says Carl Auböck IV, who now oversees the workshop with his sister, Maria. “Such artefacts develop a soul over time, a certain patina.” [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Care" open="false" width="1/1" el_position="first last"]

    This unlacquered nickel plated object will develop a patina over time. Polish by buffing with soft cloth. Nickel polish may also be used; use a second clean, dry cloth to buff the nickel to a shine. [/spb_toggle] [spb_toggle title="+ Technical information" open="false" width="1/1" el_position="first last"] Material: Nickel plated iron Origin: Handmade in Austria Dimensions: 5.5 x 19cm - Weight: 1.039 kg Imperfections such as small scratches and/or minor nicks on the surface of this item are evidence of the handmade production process and should not be considered defects. [/spb_toggle]  
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    Circular Water Tray – Medium

    Circular Water Tray – Medium

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    Chizzeled metal tray. Born in 1994 in the Oise region, Jules Lobgeois lives and works in a small village in the south of the region. It is in this village surrounded by forests where my ancestors lived that he find the inspiration as well as the wood and steel I need to create. Halfway between functional object and sculpture, each piece he creates comes from a search for purity of form.

    Please contact us for further inquiries.

    [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Production & Shipping" open="false" width="1/1" el_position="first last"] All pieces are made by hand in France. Shipping after recipient of payment in full. [/spb_toggle] [spb_toggle title="+ Technical Information" open="false" width="1/1" el_position="first last"] Measurement: D: 26cm Finish: Patinated Material: Metal *This tray must be treated delicately [/spb_toggle]  
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    Domino – Brass

    Domino – Brass

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    Designed & made by Corinne van Havre Interior label ‘LaLouL’ was launched in 2013 by Antwerp-based designer Corinne van Havre. All products of LaLouL are handmade in collaboration with skilled European craftsmen.

    Please contact us for further inquiries.

    [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Production & Shipping" open="false" width="1/1" el_position="first last"] All pieces are made by hand in Belgium. Shipping after recipient of payment in full. [/spb_toggle] [spb_toggle title="+ Care" open="false" width="1/1" el_position="first last"] It will arrive with a bright finish but will oxidise and darken over time to reveal a distinctive patina. Simply use a metal polish to restore a like-new finish. [/spb_toggle] [spb_toggle title="+ Technical Information" open="false" width="1/1" el_position="first last"] Material: Brass Dimensions: - 2 pieces of 5 x 3cm - 2 pieces of 8 x 3cm - 2 pieces of 13 x 3cm *This item must be treated delicately [/spb_toggle]  
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    Eclipse Bottle Opener

    Eclipse Bottle Opener

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    This beautiful and functional bottle opener is made using the ‘sand cast’ technique. It has a bright polish at first, but the colour gradually turns darker to show a distinctive patina with handling over time. Using it often and for a long time unveils the beauty of the material to its maximum potential. Founded in 1879, Futagami is one of Japan’s oldest metal manufacturers. Its collaboration with designer Masanori Oji has created a modern minimalist line of brass ware home goods that combine traditional techniques and materials with modern shapes. Futagami’s craftsmen work from Masanori’s inventive designs to create truly original metal works that bring elegance and understated radiance to common everyday objects.

    Please contact us for further inquiries.

    [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Production & Shipping" open="false" width="1/1" el_position="first last"] All pieces are made by hand in Japan. Shipping after recipient of payment in full. [/spb_toggle] [spb_toggle title="+ Technical Information" open="false" width="1/1" el_position="first last"] Measurements: 6 x 7.8 x 0.8cm Material: Brass *will get patinated over time Origin: Japan [/spb_toggle]  
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    Frame Bottle Opener

    Frame Bottle Opener

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    The Frame Bottle Opener is made of cast solid brass. The outside surface has a satin, brushed finish which contrasts beautifully with the rough texture inside. It's designed by Oji Masanori and manufactured at Futagami, one of Japan's oldest metal foundries. As you use it over the years, it will gain a rich patina due to oxidization. A camel colored patina is expected to develop within 5 years, and a russet brown color patina is expected to develop at approximately 30 years. A green rust might also appear. This can be removed with a mixture of vinegar and salt.

    Please contact us for further inquiries.

    [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Production & Shipping" open="false" width="1/1" el_position="first last"] All pieces are made by hand in Japan. Shipping after recipient of payment in full. [/spb_toggle] [spb_toggle title="+ Technical Information" open="false" width="1/1" el_position="first last"] Measurements: W2 x D1,5 x H14 cm Material: Brass Origin: Japan [/spb_toggle]  
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    Modular Raised Platter #1

    Modular Raised Platter #1

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    Modular Raised Platter. Walk In The Park is formed by creative couple Sam and Jiho, who make unique wood-turned objects from their Titirangi studio. Sam`s creative background comes from experience in wood-work and furniture design which he practised in Korea. Walk In The Park is a practice-led exploration into functional and sculptural objects, each work a homage to the variations of wood available in New Zealand. This tactile devotion extends into Sam`s desire to create products that are both beautiful and functional, blending the organic with the domestic.

    Please contact us for further inquiries.

    [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Production & Shipping" open="false" width="1/1" el_position="first last"] All pieces are made by hand in New Zealand. Shipping after recipient of payment in full. [/spb_toggle] [spb_toggle title="+ Technical Information" open="false" width="1/1" el_position="first last"] Measurements: H: 20.5cm x D: 33.5cm Material: Kauri, Ebonised Chestnut & Ebonised London Plane Origin: New Zealand Due to the characters of Sam`s works, you may need to expect some variations and imperfections from finished products. Sam is not using the timbers that are milled and kiln dried in large sawmills. All the woods are sourced from local small sawmills or arborists, who produce small volume but diverse timbers. All the timbers from there are air-dried and the conditions are various. You might need to expect some imperfect characters such as knots, bark, uneven edges, cracks and some bug holes from my finished works. However, Sam is not using some poor quality materials if they will bothering and devaluing the works. Therefore, we believe that all the works are acceptable for sale. [/spb_toggle]
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    Modular Raised Platter #3

    Modular Raised Platter #3

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    Modular Raised Platter. Walk In The Park is formed by creative couple Sam and Jiho, who make unique wood-turned objects from their Titirangi studio. Sam`s creative background comes from experience in wood-work and furniture design which he practised in Korea. Walk In The Park is a practice-led exploration into functional and sculptural objects, each work a homage to the variations of wood available in New Zealand. This tactile devotion extends into Sam`s desire to create products that are both beautiful and functional, blending the organic with the domestic.

    Please contact us for further inquiries.

    [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Production & Shipping" open="false" width="1/1" el_position="first last"] All pieces are made by hand in New Zealand. Shipping after recipient of payment in full. [/spb_toggle] [spb_toggle title="+ Technical Information" open="false" width="1/1" el_position="first last"] Measurements: H: 19cm x D: 30.5cm Material: Ebonised Oak, Ebonised Blackwood & ebonoised Totara Origin: New Zealand Due to the characters of Sam`s works, you may need to expect some variations and imperfections from finished products. Sam is not using the timbers that are milled and kiln dried in large sawmills. All the woods are sourced from local small sawmills or arborists, who produce small volume but diverse timbers. All the timbers from there are air-dried and the conditions are various. You might need to expect some imperfect characters such as knots, bark, uneven edges, cracks and some bug holes from my finished works. However, Sam is not using some poor quality materials if they will bothering and devaluing the works. Therefore, we believe that all the works are acceptable for sale. [/spb_toggle]
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    Paperweight Foot – Small

    Paperweight Foot – Small

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    A hand paperweight in unlacquered polished brass designed by Carl Auböck II circa 1950. The foot is now being cast, using the same sculptured wooden positive mould, in the same workshop by Carl Auböck IV. The fourth-generation Viennese workshop of Carl Auböck combines traditional craftsmanship with a modern aesthetic. The enduring nature of Auböck designs like this Paperweight Foot can be attributed to “simplicity and high quality—no fashionable tricks,” says Carl Auböck IV, who now oversees the workshop with his sister, Maria. “Such artefacts develop a soul over time, a certain patina.” [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Care" open="false" width="1/1" el_position="first last"]

    This unlacquered brass object will develop a patina over time. Polish by buffing with soft cloth. Brass polish may also be used; use a second clean, dry cloth to buff the brass to a shine. [/spb_toggle] [spb_toggle title="+ Technical information" open="false" width="1/1" el_position="first last"] Material: Polished brass Origin: Handmade in Austria Dimensions: 5x3x1 cm Imperfections such as small scratches and/or minor nicks on the surface of this item are evidence of the handmade production process and should not be considered defects. [/spb_toggle]  
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    Stadium Raised Bowl #1

    Stadium Raised Bowl #1

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    Stadium raised bowl. Walk In The Park is formed by creative couple Sam and Jiho, who make unique wood-turned objects from their Titirangi studio. Sam`s creative background comes from experience in wood-work and furniture design which he practised in Korea. Walk In The Park is a practice-led exploration into functional and sculptural objects, each work a homage to the variations of wood available in New Zealand. This tactile devotion extends into Sam`s desire to create products that are both beautiful and functional, blending the organic with the domestic.

    Please contact us for further inquiries.

    [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Production & Shipping" open="false" width="1/1" el_position="first last"] All pieces are made by hand in New Zealand. Shipping after recipient of payment in full. [/spb_toggle] [spb_toggle title="+ Technical Information" open="false" width="1/1" el_position="first last"] Measurements: H: 17cm x D: 24.5cm Material: London Plane (Bowl) & Ebonised Elm (Pedestal) Origin: New Zealand Due to the characters of Sam`s works, you may need to expect some variations and imperfections from finished products. Sam is not using the timbers that are milled and kiln dried in large sawmills. All the woods are sourced from local small sawmills or arborists, who produce small volume but diverse timbers. All the timbers from there are air-dried and the conditions are various. You might need to expect some imperfect characters such as knots, bark, uneven edges, cracks and some bug holes from my finished works. However, Sam is not using some poor quality materials if they will bothering and devaluing the works. Therefore, we believe that all the works are acceptable for sale. [/spb_toggle]
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    Stadium Vase #2

    Stadium Vase #2

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    Stadium dried flower vase. Walk In The Park is formed by creative couple Sam and Jiho, who make unique wood-turned objects from their Titirangi studio. Sam`s creative background comes from experience in wood-work and furniture design which he practised in Korea. Walk In The Park is a practice-led exploration into functional and sculptural objects, each work a homage to the variations of wood available in New Zealand. This tactile devotion extends into Sam`s desire to create products that are both beautiful and functional, blending the organic with the domestic.

    Please contact us for further inquiries.

    [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Production & Shipping" open="false" width="1/1" el_position="first last"] All pieces are made by hand in New Zealand. Shipping after recipient of payment in full. [/spb_toggle] [spb_toggle title="+ Technical Information" open="false" width="1/1" el_position="first last"] Measurements: H: 16cm x D: 15cm Material: Blackwood & Stained Eucalyptus (middle) Origin: New Zealand Due to the characters of Sam`s works, you may need to expect some variations and imperfections from finished products. Sam is not using the timbers that are milled and kiln dried in large sawmills. All the woods are sourced from local small sawmills or arborists, who produce small volume but diverse timbers. All the timbers from there are air-dried and the conditions are various. You might need to expect some imperfect characters such as knots, bark, uneven edges, cracks and some bug holes from my finished works. However, Sam is not using some poor quality materials if they will bothering and devaluing the works. Therefore, we believe that all the works are acceptable for sale. [/spb_toggle]  
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    Water Tray – Circular – Large

    Water Tray – Circular – Large

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    Chizzeled metal tray. Born in 1994 in the Oise region, Jules Lobgeois lives and works in a small village in the south of the region. It is in this village surrounded by forests where my ancestors lived that he find the inspiration as well as the wood and steel I need to create. Halfway between functional object and sculpture, each piece he creates comes from a search for purity of form.

    Please contact us for further inquiries.

    [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Production & Shipping" open="false" width="1/1" el_position="first last"] All pieces are made by hand in France. Shipping after recipient of payment in full. [/spb_toggle] [spb_toggle title="+ Technical Information" open="false" width="1/1" el_position="first last"] Measurement: D: 31.5cm Finish: Patinated Material: Metal *This tray must be treated delicately [/spb_toggle]  
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    Watering Can

    Watering Can

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    A newly cast watering can made by the Werkstätte Carl Auböck. The watering can was designed in the 1950s by Auböck II, the grandfather of Carl Auböck IV who runs the workshop today. The solid sand-cast brass body of the can has been patinated whilst the handle is bound in intricate wicker and the rolled brass spout is polished. The fourth-generation Viennese workshop of Carl Auböck combines traditional craftsmanship with a modern aesthetic. The enduring nature of Auböck designs like this Watering Can can be attributed to “simplicity and high quality—no fashionable tricks,” says Carl Auböck IV, who oversees the workshop with his sister, Maria. “Such artefacts develop a soul over time, a certain patina.” [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Care" open="false" width="1/1" el_position="first last"]

    This unlacquered brass object will develop a patina over time. Polish by buffing with soft cloth. Brass polish may also be used; use a second clean, dry cloth to buff the brass to a shine. [/spb_toggle] [spb_toggle title="+ Technical information" open="false" width="1/1" el_position="first last"] Material: Brass and cork Origin: Handmade in Austria Dimensions: Height: 16.5 cm / Width: 39 cm / Depth: 13.5 cm Imperfections such as small scratches and/or minor nicks on the surface of this item are evidence of the handmade production process and should not be considered defects. [/spb_toggle]  
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    Paperweight Foot – Large

    Paperweight Foot – Large

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    A foot paperweight in unlacquered polished brass designed by Carl Auböck II circa 1950. The foot is now being cast, using the same sculptured wooden positive mould, in the same workshop by Carl Auböck IV. The fourth-generation Viennese workshop of Carl Auböck combines traditional craftsmanship with a modern aesthetic. The enduring nature of Auböck designs like this Paperweight Foot can be attributed to “simplicity and high quality—no fashionable tricks,” says Carl Auböck IV, who now oversees the workshop with his sister, Maria. “Such artefacts develop a soul over time, a certain patina.” [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Care" open="false" width="1/1" el_position="first last"]

    This unlacquered brass object will develop a patina over time. Polish by buffing with soft cloth. Brass polish may also be used; use a second clean, dry cloth to buff the brass to a shine. [/spb_toggle] [spb_toggle title="+ Technical information" open="false" width="1/1" el_position="first last"] Material: Polished brass Origin: Handmade in Austria Dimensions: 3.5×9xH6 cm Imperfections such as small scratches and/or minor nicks on the surface of this item are evidence of the handmade production process and should not be considered defects. [/spb_toggle]  
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    Paperclip Paperweight – Large

    Paperclip Paperweight – Large

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    The Viennese design workshop of Carl Auböck created this oversized paperclip, a sculptural yet functional everyday object. The fourth-generation workshop combines traditional craftsmanship with a modern aesthetic. The enduring nature of Auböck designs like this oversized paperclip can be attributed to “simplicity and high quality—no fashionable tricks,” says Carl Auböck IV, who now oversees the workshop with his sister, Maria. “Such artefacts develop a soul over time, a certain patina.” [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Care" open="false" width="1/1" el_position="first last"]

    This unlacquered brass object will develop a patina over time. Polish by buffing with soft cloth. Brass polish may also be used; use a second clean, dry cloth to buff the brass to a shine. [/spb_toggle] [spb_toggle title="+ Technical information" open="false" width="1/1" el_position="first last"] Material: Polished brass Origin: Handmade in Austria Dimensions: 23×6.5cm Imperfections such as small scratches and/or minor nicks on the surface of this item are evidence of the handmade production process and should not be considered defects. [/spb_toggle]  
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    Annemarieke van Drimmelen – Tadaima

    Annemarieke van Drimmelen – Tadaima

    Tadaima by Annemarieke van Drimmelen (b. 1978, Dutch) is an intimate portrait in respect to the heartache and its beauty of a journey homeward. [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Read more" open="false" width="1/1" el_position="first last"]

    At age ten Annemarieke acquired a camera for the first time, her mother’s, merely after her passing. By picking up the camera she was adept to perceive her mother slightly better by photographing small moments; her father’s hands, light reflecting on the water—it was her way of keeping a diary. In recent years she felt it essential to revisit this approach of spirit, by capturing moments during travels through Arizona, California, Paris and Amsterdam. The memory of her mother is piercing in the pictures but also cacti with wooden supports so they won’t fall, of walls, and stones, some from Georgia O’Keefe’s collection, a towel on a beach, a friend’s old chair, women, men, seen as close-up as photographically possible. A narrative of recognisable familial warmth intertwining with herself becoming a mother for the first time. Blue was her mother’s favourite color. A very dark blue. By hand printing cyanotypes (or blue prints; a technique invented in 1800’s, by Anna Atkins, a British botanist also considered the first woman photographer) for Tadaima, Annemarieke endeavoured to attain as close to her mother’s blue as she can remember. Tadaima is loosely translated from Japanese as I just came home. The book contains a preface by Annemarieke van Drimmelen, written expressly to her late mother. First edition of 700 copies. Special edition of 50 copies, numbered, in paperboard slipcase, screen printed in blue, with signed original print. Choice of 2 prints. → Shortlisted for The Agents Club Photography Awards, 2020 [/spb_toggle] [spb_toggle title="+ Publication details" open="false" width="1/1" el_position="first last"] Published in 2019 by Libraryman ISBN 978–91–88113–30–6 24,5 cm x 30,5 cm. 80 pages. 69 color plates. Offset printed clothbound hardcover. Linen thread bound. Grey headband. Authentic tip-in image on front cover with typography on front cover, spine and back cover in white foil. [/spb_toggle]  
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    Chopping board – XXL – Oak

    Chopping board – XXL – Oak

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    Edward Collinson, sculptor-turned-carpenter, creates these stunning chopping boards from his studio in North London. Varying in shape and size, the boards can be used for chopping, serving, or as decorative objects. Collinson’s walnut chopping boards are made from solid walnut wood and finished with food-safe oil. Please remember that because wood is a natural product the grain patterns of our boards will vary. [spb_toggle title="+ Dimensions" open="false" width="1/1" el_position="first last"] 110x40cm [/spb_toggle]  

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    Diamond Cross – John Balsom

    Diamond Cross – John Balsom

    John Balsom’s (b. 1970, British) first book Diamond Cross evokes an intimate and poignant contemplation and self-examination through the religious part of American West culture. With its enduring and symbolic icon of the cowboy, which has predominantly been characterised through centuries in the media as gunfighters on horseback, the series tells a earthly tale from exceptional pastures, its rich scenery and with a raging past. [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Read more" open="false" width="1/1" el_position="first last"]

    Documenting horse whisperer Grant Golliher, his wife Jane Golliher, their son Luke Long and their family of ranch workers, Balsom captures the tranquil aura of Jackson Hole, Wyoming. Its sustained heritage and the magic that happens in the valley may have a tangible affect on the beholder. The book contains a preface written by John Balsom. First edition of 700 copies. Special edition of 25 copies, numbered, in cardboard slipcase, screen printed in black, with signed silver gelatin hand print. [/spb_toggle] [spb_toggle title="+ Publication details" open="false" width="1/1" el_position="first last"] Published in 2019 by Libraryman ISBN 978–91–88113–32–0 24 cm x 29,7 cm. 80 pages. 51 color plates. Offset printed clothbound hardcover. Linen thread bound. Beige headband. Authentic tip-in image on front cover with typography on front cover, spine and back cover in white foil. [/spb_toggle]  
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    Lucile Boiron – Womb

    Lucile Boiron – Womb

    Lucile Boiron (b. 1990, French) explores and exhausts fragments of flesh, these moments when human nature appears for what it is, that is, perishable. Far from making an inventory of the feeling of revulsion, she questions the body’s biological truth, and attempts a photographic answer to the issue of good and bad taste. [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Read more" open="false" width="1/1" el_position="first last"]

    Bodies, to which we no longer pay attention, here remind us of their true condition: territories where states are shared, yet unique, bearing traces of stories that the skin alone is able to understand. → Excerpt from the foreword written by curator François Cheval (b. 1954, French) First edition of 500 copies, with fold-out poster. Special edition of 30 copies, numbered, in paperboard slipcase, screen printed in red, with signed original print. Choice of 2 prints. Lucile Boiron is the recipient of the 2019 Libraryman Award [/spb_toggle] [spb_toggle title="+ Publication details" open="false" width="1/1" el_position="first last"] Published in 2019 by Libraryman ISBN 978–91–88113–31–3 20,5 cm x 27,5 cm. 48 pages. 35 color plates. Offset printed clothbound hardcover. Linen thread bound. Red headband. Authentic tip-in image on front cover with typography on spine and back cover in red foil. [/spb_toggle]