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Annemarieke van Drimmelen – Tadaima
Books & MagazinesTadaima by Annemarieke van Drimmelen (b. 1978, Dutch) is an intimate portrait in respect to the heartache and its beauty of a journey homeward. [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Read more" open="false" width="1/1" el_position="first last"]
At age ten Annemarieke acquired a camera for the first time, her mother’s, merely after her passing. By picking up the camera she was adept to perceive her mother slightly better by photographing small moments; her father’s hands, light reflecting on the water—it was her way of keeping a diary. In recent years she felt it essential to revisit this approach of spirit, by capturing moments during travels through Arizona, California, Paris and Amsterdam. The memory of her mother is piercing in the pictures but also cacti with wooden supports so they won’t fall, of walls, and stones, some from Georgia O’Keefe’s collection, a towel on a beach, a friend’s old chair, women, men, seen as close-up as photographically possible. A narrative of recognisable familial warmth intertwining with herself becoming a mother for the first time. Blue was her mother’s favourite color. A very dark blue. By hand printing cyanotypes (or blue prints; a technique invented in 1800’s, by Anna Atkins, a British botanist also considered the first woman photographer) for Tadaima, Annemarieke endeavoured to attain as close to her mother’s blue as she can remember. Tadaima is loosely translated from Japanese as I just came home. The book contains a preface by Annemarieke van Drimmelen, written expressly to her late mother. First edition of 700 copies. Special edition of 50 copies, numbered, in paperboard slipcase, screen printed in blue, with signed original print. Choice of 2 prints. → Shortlisted for The Agents Club Photography Awards, 2020 [/spb_toggle] [spb_toggle title="+ Publication details" open="false" width="1/1" el_position="first last"] Published in 2019 by Libraryman ISBN 978–91–88113–30–6 24,5 cm x 30,5 cm. 80 pages. 69 color plates. Offset printed clothbound hardcover. Linen thread bound. Grey headband. Authentic tip-in image on front cover with typography on front cover, spine and back cover in white foil. [/spb_toggle] -
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Katrien De Blauwer – I Close My Eyes, Then I Drift Away
€45,00 incl. VAT
Katrien De Blauwer – I Close My Eyes, Then I Drift Away
Books & MagazinesThe idea for I Close My Eyes, Then I Drift Away by Katrien De Blauwer (b. 1969, Belgian) was founded as a commission for De Blauwer to anatomise archival works of François Halard (b. 1961, French) into a new and rare narrative. With a seductive and dreamlike state, bordering femininity and masculinity, she lets the observer immerse by the means of power structures and illusions, with nuances and parables to the contrasting career of Halard’s, yet with the most imaginable awe. [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Read more" open="false" width="1/1" el_position="first last"]
All photographs appearing in this book were taken by François Halard and accumulated on July 3rd, 2019 by Katrien De Blauwer in Arles, France. All artworks were made in Antwerp, Belgium by Katrien De Blauwer. The concept for this book was conceived by editor and designer Tony Cederteg, who also wrote the preface for the book. First edition of 1,000 copies. Special edition of 50 copies, numbered, in paperboard slipcase, screen printed in white, with original print; signed and hand-painted by Katrien De Blauwer and François Halard. Choice of 5 prints — 10 copies of each print. [/spb_toggle] [spb_toggle title="+ Publication details" open="false" width="1/1" el_position="first last"] Published in 2019 by Libraryman ISBN 978–91–88113–34–4 21,5 cm x 27,5 cm. 48 pages. 30 color plates. Offset printed hardcover. Linen thread bound. Blind embossing on front cover and spine. Dustcover with typography on front cover and spine in white foil. Beige headband. [/spb_toggle] -
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Katrien De Blauwer – Why I Hate Cars
Books & MagazinesFollowing her previous book When I Was a Boy, Katrien De Blauwer (b. 1969, Belgian) continues to explore her medium of « photography without a camera » in the monograph Why I Hate Cars. After studies in painting and fashion, De Blauwer began delving into a wayward artistic practice by collecting imagery from old magazines and newspapers — as a therapeutic self investigation, of which became the foundation of her work. In creating her own collages, De Blauwer reveals an inner realm as she initiate anonymous and cinematic narrations. In this particular work, she began experimenting with paint and crayons — bearing an additional layer of colors to the stories she tells. [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Read more" open="false" width="1/1" el_position="first last"]
The book contains an excerpt written by Katrien De Blauwer, taken from one of her notebooks. First edition of 1,000 copies. Special edition of 50 copies, numbered, in paperboard slipcase, screen printed in white, with signed and hand-drawn original print. Choice of 5 prints — 10 copies of each print. Why I Hate Cars accompanies her exhibition Love Me Tender in Paris, France at Galerie Les Filles du Calvaire, May 18–June 15, 2019. → Shortlisted for the Author Book Award at Les Rencontres d'Arles, 2019 [/spb_toggle] [spb_toggle title="+ Publication details" open="false" width="1/1" el_position="first last"] Published in 2019 by Libraryman ISBN 978–91–88113–23–8 20 x 25 cm. 72 pages. 64 color plates. Offset printed paperbound hardcover. Linen thread bound. Red headband. Authentic tip-in images on front cover and back cover. [/spb_toggle] -
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Lucile Boiron – Womb
Books & MagazinesLucile Boiron (b. 1990, French) explores and exhausts fragments of flesh, these moments when human nature appears for what it is, that is, perishable. Far from making an inventory of the feeling of revulsion, she questions the body’s biological truth, and attempts a photographic answer to the issue of good and bad taste. [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Read more" open="false" width="1/1" el_position="first last"]
Bodies, to which we no longer pay attention, here remind us of their true condition: territories where states are shared, yet unique, bearing traces of stories that the skin alone is able to understand. → Excerpt from the foreword written by curator François Cheval (b. 1954, French) First edition of 500 copies, with fold-out poster. Special edition of 30 copies, numbered, in paperboard slipcase, screen printed in red, with signed original print. Choice of 2 prints. Lucile Boiron is the recipient of the 2019 Libraryman Award [/spb_toggle] [spb_toggle title="+ Publication details" open="false" width="1/1" el_position="first last"] Published in 2019 by Libraryman ISBN 978–91–88113–31–3 20,5 cm x 27,5 cm. 48 pages. 35 color plates. Offset printed clothbound hardcover. Linen thread bound. Red headband. Authentic tip-in image on front cover with typography on spine and back cover in red foil. [/spb_toggle] -
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Osamu Yokonami – Primal
Books & MagazinesA range of expressions and emotions permeate the pages as you gradually enter Osamu Yokonami’s (b. 1967, Japanese) continuing exploration of primal instincts. The children glance at you. They unknowingly confront you with their personalities that subtly emanate faced with the challenge of holding onto a fruit or vegetable balancing between chin and shoulder — themselves placed within the ever transitioning clouds. [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Read more" open="false" width="1/1" el_position="first last"]
Frowning in menace or softly smiling, distanced from civilisation, they patiently wait to be depicted closest to their most natural state. First edition of 700 copies. Special edition of 25 copies, numbered, with blue folder, screen printed in white, and signed original print. [/spb_toggle] [spb_toggle title="+ Publication details" open="false" width="1/1" el_position="first last"] Published in 2019 by Libraryman ISBN 978–91–88113–26–9 20,5 cm x 27 cm. 120 pages. 290 color plates. Offset printed hardcover. Linen thread bound. Blind embossing on spine and back cover, with authentic tip-in image on front cover. Dustcover with typography on front cover, spine and back cover in beige foil. Blue headband. [/spb_toggle] -
Ron Jude – Vitreous China
Books & MagazinesRon Jude’s (b. 1965, American) Vitreous China is comprised of an archive of photographs he made while exploring areas of light industry in (primarily) Midwestern American cities. Rather than comment on the workings of industry itself, Jude depicts the ambient peripheral zones suffusing these environments: big rig parking lots, side exits, and other secondary spaces in which Jude imagines his grandfather might have daydreamed, or let his mind wander, during his many years as a kiln operator in vitreous china plants, first in the Midwest, and later in Southern California. [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Read more" open="false" width="1/1" el_position="first last"]
Supplanting the narrative inadequacies of photography with an alternate experience of atmospheric immersion, Jude exploits the seemingly factual, descriptive traits of the medium while also pursuing moments of subjective transcendence. Like the paradoxical relationship between the surface beauty of vitreous china (an enamel coating applied to porcelain) and its blunt, utilitarian function (strengthening toilets & sinks), the photographs, interwoven with a series of short texts by Mike Slack, attempt to tease out an experience that embraces both the physical crudeness of these spaces as well as the intangible complexes of memory and narrative encoded within them. [/spb_toggle] [spb_toggle title="+ Publication details" open="false" width="1/1" el_position="first last"] Published in 2017 by Libraryman Second edition, revised, in paperbound hardcover. ISBN 978–91–88113–11–5 16 cm x 20 cm. 54 pages. 1 fold-out. 29 color plates. Color offset printed paperbound hardcover. Linen thread bound. Typography on front cover, spine and back cover in black foil. Headband in black. [/spb_toggle] -
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Shane Lavalette – New Monuments
Books & MagazinesSeasons Series draws inspiration from Kim Ki-Duk’s seminal film Spring, Summer, Fall, Winter… and Spring in which different actors, for each season, play the same character who is abandoned on a lake next to a floating monastery. The film specifically focuses on the shifting nature of the seasons and its effects on the protagonist’s fosterage. The books take their lead from the film in that simple and profound ideas, human passions and spirituality can be perceived differently depending on the season. [spb_text_block title="" animation="none" animation_delay="0" simplified_controls="yes" custom_css_percentage="no" padding_vertical="0" padding_horizontal="0" margin_vertical="0" border_size="0" border_styling_global="default" width="1/1" el_position="first last"][/spb_text_block] [spb_toggle title="+ Read more" open="false" width="1/1" el_position="first last"]
Seasons Series is a quarterly book series, in which a group of artists are brought together under one vision with a focus on each artist’s singular way of seeing. Each of the books in the series will focus on differing subjects and all monographs will showcase the artist’s unique approach to photography. All the books in the series will maintain the same size, dimensions and page count. The first 25 of each will come as a special edition containing a print. We hereby continue the book series with new works by Shane Lavalette (b. 1987, American). First edition of 500 copies. Special edition of 25 copies, numbered, in paperboard slipcase, screen printed in white, with signed original print. [/spb_toggle] [spb_toggle title="+ publication details" open="false" width="1/1" el_position="first last"] Published in 2019 by Libraryman ISBN 978–91–88113–29–0 21,5 cm x 27,5 cm. 32 pages. 25 color plates. Color offset printed paperbound hardcover. Linen thread bound. Beige headband. Typography on front cover, spine and back cover in white foil. [/spb_toggle]